PARKER_TROPHYArt with an attitude and an uncompromising eye for gritty street swagger distinguishes Primary Projects from the rest of Miami’s ever-growing pack of galleries and artist-run spaces. Powered by the triumvirate of BooksIIII Bischof, Typoe, and Chris Oh, this multidisciplinary stage for bleeding-edge work — oddly located in a swank Design District enclave of restaurants and designer shops — has hosted a sizzling string of solo and group shows in the past year that have been among the most controversial and talked about of the 2011 season. Some of the most memorable works included Edouard Nardon’s fearsome yet oddly beautiful collection of jailhouse shivs; Scott Shannon’s gorgeous Crayola drawing of a swastika floral bouquet; Autumn Casey’s petrified, rotten-apple bongs; and George Sanchez-Calderon’s bronze crack-pipe sculpture. Those tired of Wynwood’s increasingly commercial scene flocked to Primary for a taste of art that fluctuated between the sublime and sinister, from Kenton Parker’s fully functioning Taco Shop to Andrew Nigon’s surreal Bullwinkle moose head with antlers festooned by what appeared to be rainbow-hued used-car-lot flags. And who can forget Jessy Nite’s Hell Here, a brazen one-night stand in which she recruited a stripper to deliver private lap dances to viewers willing to part with their greenbacks. When it came to Art Basel headline grabs, no local space commanded as much attention last December as Primary, which staged Miru Kim’s 104-hour performance I Like Pigs and Pigs Like Me, in which the Korean-American artist wallowed nude with two live hogs in the gallery’s storefront window, earning tons of international media attention while stirring controversy with animal advocates.


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